In a book review about more of what was felt than what was seen in Maura Sullivan’s latest monograph, “After Beauty,” we dive in to experience the mysterious world of her photographic archive that showcase photographs born of deep-seated memories that invoke our drive to seek sincere connections.

Victoria Kosel quite literally destroys her photographs, only to create them anew. Her sliced and diced prints are reborn into fragmented scenes that force the brain to fill in the gaps that challenge the ideas of traditional landscape photography.

British photographer Ian Hill explores the rugged Cumbrian countryside investigating the psychological connection we find in and with the landscape. Intertwining words and images, in zines or on the web, he creates modern mythologies which explore the perpetual relationship between man and nature.

With imagery ranging from sublime landscapes to intimate portraiture, photographer Patrick Wack's 2021 photobook DUST is an expansive exploration of the rich geography and culture of the Chinese region of Xinjiang, a place where the Chinese government is systematically perpetrating human rights abuses on a massive scale.

“O.N. Pruitt’s Possum Town,” presents a panorama of Southern life captured by Mississippi photographer Pruitt (1891-1967), and adds thoughtful essays about the lives and places pictured. Published by the University of North Carolina Press, this book is 272 pages of both history and stunning photography.

London based artist, Aliki Braine, makes images that highlight the materiality of analog photography. By cutting up, folding, stickering and punching holes in negatives, she asks her viewers to slow down and reconsider what a photograph is and reminds of photography’s roots as something to be held and revered as on object.

With the release of Ed Kashi's latest monograph, “Abandoned Moments,” we get the chance to look over a career-spanning retrospective of a photographer's work and style, and along with it, a specific aesthetic found within the final images chosen for this incredible book. Not simply a book review–this is an interview with one of the country’s finest photojournalists.

Polaroid Week is a bi-annual celebration of instant film that allows lovers of the medium to share their newly created instant works across the internet! See our top selections from this season now!

Analog Forever Magazine Edition 6 includes interviews with Michael Massaia, Deborah Parkin, Amanda Marchand, and Amy Sue Greenleaf, accompanied by features of Leila Ali, Renée Jacobs, Christian K. Lee, Loren Nelson, Graciana Piaggio, and Manon Weiser.

La Fille Renne––non-binary photographer and co-director of feminist media, Polysème Magazine––gives insight to their series, Reclaiming Our Bodies: Systemic, Gynecological, and Obstetric Violence Towards Our Sexes in the Framework of Health, a project that brings awareness of gynecological and obstetrical violence.

Jamie Swick’s environmental portraits of the Pacific Northwest produce a distinct stillness that is undeniable. Her picturesque landscapes suggest a new era of environmentalism that isn’t fought by tying yourself to a tree, but by walking among them.

“Dairy Character” is a loose chronicle of Odette England’s experience growing up on a dairy farm in southern Australia. Combining recent photographs, family snapshots, archival images, and short stories, England examines the male-dominant rural community in which she was raised. Please read our latest online review of this beautiful book at Analog Forever Magazine.

Luca Tombolini’s series Vistas artistically explores the scientific idea of Space, Time, and their relativity by asking viewers to consider the perception of their via place in the universe via the combination of long and multiple exposure landscapes and cameraless microscapes made of color drops in solvents.

Liz Albert’s series, Family Fictions, take us on a journey back in time to explore family and social dynamics in the 50s and 60s through photographic slides that she has found, purchased, and combined into diptychs.

Nettie Edwards uses the ephemeral photographic processes of anthotype and chlorophyll printing to create personal meditations on the transitory nature of existence. By embracing processes destined to degrade she confronts the ideas of loss, grief, and mortality.

Vincent Ricardel’s series “The Way Back” was created with a Hasselblad 500 CM camera and 19+-year-old Kodak Black and White Verichrome Pan film. His series masterfully challenges the notion that there are no frontiers left in the American West.

What is chromoskedasic painting, you ask? Photographer, Jan Cook, has the explanation of this lesser-known process and the intention behind its use in her incredible body of work, “Fugue: A Dreamlike State.” A combination of printing and painting techniques like this is sure to lure you into this deeply mysterious work.

If vintage documentary photography is even a passing fancy in your love of great photography, you would do well to investigate “Reserved Mr. Memory,” a trip back through time in the American South, from photographer Patrick Murphy. Read our informative book review now!

Since its advent, photography has been a boy's club, and women have stood out as rebels and heroes for infiltrating the clubhouse. It's now 2022, and we are pleased to help you discover 20 established and emerging women photographers that deserve recognition as we enter a new era of photographic diversity.

Flashback to the Spring of 2020 — a time of the unknown, and David Scheinbaum’s latest work was born. A one-year cameraless exploration of the ENSŌ – a journey, traveling back to the essence of photography, light, and chemistry. Explore more with our article on this fascinating photographer and his latest works.