Diane Meyer’s “Berlin” investigates the former Berlin Wall using a combination of analog, digital, and mixed media processes that deceives the viewer to see pixelated sections that enhance a connection between forgetting and file corruption.

Gracie Baer’s series “Corporeal Worth” draws parallels between our relationship with the natural world and society by contemplating the commonality between animals and people, in both life and in death.

The Harvey Milk Photo Center is one of the oldest and largest public darkrooms in the United States. Originally opened in 1940, it serves as an inclusive space for people to express themselves through photography.